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Simon and Schuster
Letters to Khalid
Letters to Khalid
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A mysterious collection of letters reveals an organisation working behind the scenes to manipulate perception, manufacture conflict and divide society.
Letters to Khalid presents itself as the translation of twenty letters written by an unidentified foreign observer sent to the United States on a year-long mission. His assignment is simple: to study the workings of a clandestine organization known only as “the Party.” Guided by operatives named after American presidents, the writer is gradually introduced to a system that does not govern through laws or force, but through narrative—stories engineered to shape perception, manufacture conflict, and sustain a population in a state of permanent division. The Party does not hide; it operates in plain sight. Its power lies not in secrecy, but in invisibility. As the letters progress, the reader begins to understand that this is not merely a study of a nation, but a manual—one that may soon be exported elsewhere. Framed by a translator who insists on his neutrality while revealing just enough to raise suspicion, Letters to Khalid blurs the line between fiction and document. It asks a disquieting question: what if the world we inhabit is not chaotic, but carefully arranged—and what if we are not its observers, but its subjects?
Letters to Khalid presents itself as the translation of twenty letters written by an unidentified foreign observer sent to the United States on a year-long mission. His assignment is simple: to study the workings of a clandestine organization known only as “the Party.” Guided by operatives named after American presidents, the writer is gradually introduced to a system that does not govern through laws or force, but through narrative—stories engineered to shape perception, manufacture conflict, and sustain a population in a state of permanent division. The Party does not hide; it operates in plain sight. Its power lies not in secrecy, but in invisibility. As the letters progress, the reader begins to understand that this is not merely a study of a nation, but a manual—one that may soon be exported elsewhere. Framed by a translator who insists on his neutrality while revealing just enough to raise suspicion, Letters to Khalid blurs the line between fiction and document. It asks a disquieting question: what if the world we inhabit is not chaotic, but carefully arranged—and what if we are not its observers, but its subjects?
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